Author: Terry Sherwood

Terry Sherwood Born in Ottawa Ontario,  Canada; Terry is a "Monster kid ', film fan and popular culture person. Once worked in television as a commercial writer/ Director. Writer of the SKELETONS IN THE CLOSET  site covering aspects of the Horror Genre from Books, Comics, to Film old and new. He has previously written for WE BELONG DEAD and  MONSTERMANIA magazines, The Spooky Isle UK website, Horror hound and  Turner Classic Movies. Published Book  of own writings titled SCREEN AND SCREEN AGAIN:  ESSAYS ON THE HORROR FILM on amazon world wide plus contributed to other genre  books. Chaired numerous convention panel discussions on Horror and Comics Terry is member of  The Horror Writers Association and Dracula Society in U.K.

THE EXORCIST: UNTOLD **** UK 2023 Dir: Robin Bextor. 80 mins I have an original one-sheet theatrical poster of The Exorcist complete with the North America ‘Admittance Restricted’ viewing sticker framed under glass in one room. It is the only poster I have framed so the film is quite significant for me and perhaps others. It’s odd writing something about a film that is one of your all-time favourites for much the same reasons as presented in this documentary. I have long thought for years that The Exorcist (1973) is not a horror film specifically even if it is steeped…

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UNKNOWN WORLD *** USA 1951 Dir: Terry O. Morse. 74 mins The naivety of Science fiction films of the fifties does not fail to bring about a feeling similar to having a visit from an old friend. Nowadays some friends even if they know each other lose the ability to talk face to face, staring and suddenly realizing that they may have grown apart. Unknown World (1951) is another example of the well-intentioned hokum, the silly dialogue delivered with conviction and the special effects all spell a good ‘turn off the brain’ moment. In this case warnings and stock footage…

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THE LODGE **** UK / USA 2019 Dirs: Veronika Franz & Severin Fiala. 108 mins The family unit has been moved around, changed, and perverted into violence by natural or supernatural means in genre films since the film was in kinescopes. The evil stepfather and in this case, the stepmother who inherits a family get an intelligence boost in the wintery dark thriller The Lodge (2019). Hammer Films and Film Nation combine for the rather bleak story reminiscent of The Lighthouse (2019) which could be a companion. Bleakness but in a good brooding way like good ghost stories should be.…

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EASTER BLOODY EASTER *** USA 2024 Dir: Diane Foster. 104 mins ‘The beast rises within as you shuffle towards the counter. Your tortured orbs seek those happy, glistening nodules of chocolate pleasure you know you put them wrapped up in foil paper. You can’t resist the hunger, ripping open the wrapping, handful of fun is pushed down your throat. You have found relief in a moment’s respite until the awful unholy drive grips you again in the afternoon sun.’ Not an ‘Easter Egg’ moment from Diane Foster’s Easter Bloody Easter (2024) film but a moment of confection addiction that some…

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THE TERROR **** USA 1963 Dir: Roger Corman. 81 mins Was Roger Corman a Genuis or an Exploiter of talent and people?  That depends on what side of the fence you sit on regarding his body of work and his influence on filmmaking that many are not aware of.  The Terror (1963) is but one example of Roger Corman’s work, bordering on style such as the Poe Cycle films mostly with Vincent Price or a hack that did anything for a buck. Today we praise independent filmmakers thinking that they put the middle finger up at Hollywood and the lifestyle…

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